Poetics of Cinema

Bringing together twenty-five years of work on what he has called the 'historical poetics of cinema,' David Bordwell here presents an extended analysis of a key question for film studies: how are films made, in particular historical contexts, in order to achieve certain effects?

Autorentext

David Bordwell, Jacques Ledoux Professor at the University of Wisconsin, is arguably the most influential scholar of film in the United States. The author, with his wife Kristin Thompson, of the standard textbook Film Art and a series of influential studies of directors (Eisenstein, Ozu, Dreyer) as well as periods and styles (Hong Kong cinema, Classical Hollywood cinema, among others), he has also trained a generation of professors of cinema studies, extending his influence throughout the world. His books have been translated into fifteen languages.

Zusammenfassung
Bringing together twenty-five years of work on what he has called the "historical poetics of cinema," David Bordwell presents an extended analysis of a key question for film studies: how are films made, in particular historical contexts, in order to achieve certain effects? For Bordwell, films are made things, existing within historical contexts, and aim to create determinate effects. Beginning with this central thesis, Bordwell works out a full understanding of how films channel and recast cultural influences for their cinematic purposes. With more than five hundred film stills, Poetics of Cinema is a must-have for any student of cinema.

Inhalt

Introduction; Part 1 Questions of Theory; Chapter 1 Poetics of Cinema; Chapter 2 Convention, Construction, and Cinematic Vision; Part 2 Studies in Narrative; Chapter 3 Three Dimensions of Film Narrative; Chapter 4 Cognition and Comprehension; Chapter 5 The Art Cinema as a Mode of Film Practice; Chapter 6 Film Futures; Chapter 7 Mutual Friends and Chronologies of Chance; Part 3 Studies in Style; Chapter 8 Cinecerity; Chapter 9 Taking Things to Extremes; Chapter 10 CinemaScope; Chapter 11 Who Blinked First?; Chapter 12 Visual Style in Japanese Cinema, 1925-1945; Chapter 13 A Cinema of Flourishes; Chapter 14 Aesthetics in Action; Chapter 15 Richness Through Imperfection;