Danto and His Critics

Updated and revised, the Second Edition of Danto and His
Critics presents a series of essays by leading Danto scholars
who offer their critical assessment of the influential works and
ideas of Arthur C. Danto, the Johnsonian Professor Emeritus in the
Department of Philosophy at Columbia University and long-time art
critic for The Nation.

• Reflects Danto's revisions in his theory of art, reworking his
  views in ways that have not been systematically addressed
  elsewhere

• Features essays that critically assess the changes in Danto's
  thoughts and locate Danto's revised theory in the larger context of
  his work and of aesthetics generally

• Speaks in original ways to the relation of Danto's philosophy
  of art to his theory of mind

• Connects and integrates Danto's ideas on the nature of
  knowledge, action, aesthetics, history, and mind, as well as his
  provocative thoughts on the philosophy of art for the reader

Autorentext

Mark Rollins is Professor in the Department of
Philosophy, the Philosophy-Neuroscience-Psychology Program, and the
Sam Fox School of Art and Visual Design at Washington University in
St. Louis. He is the author of several books on the role of images
in perception and cognition and as symbols in literature and
art.

Zusammenfassung
Updated and revised, the Second Edition of Danto and His Critics presents a series of essays by leading Danto scholars who offer their critical assessment of the influential works and ideas of Arthur C. Danto, the Johnsonian Professor Emeritus in the Department of Philosophy at Columbia University and long-time art critic for The Nation.

• Reflects Danto's revisions in his theory of art, reworking his views in ways that have not been systematically addressed elsewhere
• Features essays that critically assess the changes in Danto's thoughts and locate Danto's revised theory in the larger context of his work and of aesthetics generally
• Speaks in original ways to the relation of Danto's philosophy of art to his theory of mind
• Connects and integrates Danto's ideas on the nature of knowledge, action, aesthetics, history, and mind, as well as his provocative thoughts on the philosophy of art for the reader

Inhalt

Notes on Contributors ix

Acknowledgments xi

Selected Bibliography of the Works of Arthur Danto xiii

Introduction 1

Mark Rollins

Part I System and Method 13

1 Danto as Systematic Philosopher, or Comme on lit Danto en
francais 15

David Carrier

2 Danto's Gallery of Indiscernibles 30

Richard Wollheim

Part II Intention and Interpretation 41

3 The Invisible Content of Visual Art 43

Mark Rollins

4 Deja vu All Over Again: How Danto's Aesthetics Recapitulates
the Philosophy of Mind 55

Jerry A. Fodor

5 Surface and Deep Interpretation 69

Peg Brand and Myles Brand

6 "Other Pictures We Look at, - His Prints We Read": Danto
Reading Lamb Reading Hogarth on the Art of the Commonplace 84

Lydia Goehr

Part III Philosophy of Art 109

7 A Tale of Two Artworlds 111

Postscript

George Dickie

8 Essence, Expression, and History: Arthur Danto's
Philosophy of Art 118

Noel Carroll

9 Danto's New Definition of Art and the Problem of Art Theories
146

Noel Carroll

10 Danto and Kant: Together at Last? 153

Diarmuid Costello

11 Atomism, Art, and Arthur: Danto's Hegelian Turn 172

Robert C. Solomon and Kathleen M. Higgins

Postscript

Kathleen M. Higgins

Part IV Historical Knowledge 197

12 Art and Its Doubles: Danto, Foucault, and Their Simulacra
Postscript 199

Gary Shapiro

13 The Beginning of the End: Danto on Postmodernism 215

Daniel Herwitz

14 Danto's Aesthetic: Is It Truly General As He Claims?
232

David Carrier

Part V What Philosophy Is 249

15 Art as Religion: Transfigurations of Danto's Dao 251

Richard Shusterman

16 Looking Beyond the Visible: The Case of Arthur Dantwo
267

Carlin Romano

Part VI Responses 283

17 Replies to Essays 285

Arthur C. Danto

Afterword: Not by a Soap Box but First by a Kiss 313

Arthur C. Danto

Index 317