Dante's «Convivio»

Dante's unfinished work, the Convivio, his first book written in exile, is often overlooked. This volume, instead of promoting the idea that Dante's career evolved continuously from the youthful Vita nova through to the Commedia, takes the Convivio as Dante's first attempt to reassemble and reshape the remains of his Florentine past - from his love poetry to his philosophical readings - in order to construct a new way of defining himself as a writer after 1302. Contributors to the volume explore the Convivio from a variety of different angles, including the issue of genre, the relationship between poetry and prose and Dante's concept of the reader, as well as examining the importance of ideas such as nobility, the vernacular and Roman law.

Autorentext

Franziska Meier is Professor of Romance Philology (French and Italian Literature) at the Georgia Augusta University, Göttingen. Her early research in Italian studies focused on modern literature, particularly the relationship of novelists with fascism and the anti-fascist resistance movement. More recently, her scholarly interests have converged on Dante, Boccaccio and Renaissance art history.