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Photography and Collaboration

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Photography and Collaboration offers a fresh perspective on existing debates in art photography and on the act of photography in ... Weiterlesen
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Beschreibung

Photography and Collaboration offers a fresh perspective on existing debates in art photography and on the act of photography in general. Unlike conventional accounts that celebrate individual photographers and their personal visions, this book investigates the idea that authorship in photography is often more complex and multiple than we imagine - involving not only various forms of partnership between photographers, but also an astonishing array of relationships with photographed subjects and viewers.

Thematic chapters explore the increasing prevalence of collaborative approaches to photography among a broad range of international artists - from conceptual practices in the 1960s to the most recent digital manifestations. Positioning contemporary work in a broader historical and theoretical context, the book reveals that collaboration is an overlooked but essential dimension of the medium's development and potential.



Autorentext

Daniel Palmer is Associate Dean of Graduate Research and Associate Professor in the Art History and Theory Program at Monash University, Melbourne, Australia. He was formerly a Curator at the Centre for Contemporary Photography in Melbourne, and his research focuses on the status of photography within contemporary art and digital culture more broadly.



Zusammenfassung
Photography and Collaboration offers a fresh perspective on existing debates in art photography and on the act of photography in general. Unlike conventional accounts that celebrate individual photographers and their personal visions, this book investigates the idea that authorship in photography is often more complex and multiple than we imagine involving not only various forms of partnership between photographers, but also an astonishing array of relationships with photographed subjects and viewers. Thematic chapters explore the increasing prevalence of collaborative approaches to photography among a broad range of international artists from conceptual practices in the 1960s to the most recent digital manifestations. Positioning contemporary work in a broader historical and theoretical context, the book reveals that collaboration is an overlooked but essential dimension of the medium's development and potential.

Inhalt

Introduction
1. Ideologies of Photographic Authorship
2. Impersonal Evidence: Photography as Readymade
3. Collaborative Documents: Photography in the Name of Community
4. Relational Portraiture: Photography as Social Encounter
5. Aggregated Authorship: Found Photography and Social Networks
Conclusion
Bibliography
Index

Produktinformationen

Titel: Photography and Collaboration
Untertitel: From Conceptual Art to Crowdsourcing
Autor:
EAN: 9781474233484
ISBN: 978-1-4742-3348-4
Digitaler Kopierschutz: Adobe-DRM
Format: E-Book (pdf)
Herausgeber: Bloomsbury Usa
Genre: Kunst
Anzahl Seiten: 232
Veröffentlichung: 09.02.2017
Jahr: 2017
Untertitel: Englisch