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The Art Museum in the 19th Century. J. J. Winckelmann's Influence on the Establishing of the Classical Paradigm of the Art Museum

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Essay from the year 2008 in the subject Museum Studies, , language: English, abstract: The essay discusses the German philologist,... Weiterlesen
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Beschreibung

Essay from the year 2008 in the subject Museum Studies, , language: English, abstract: The essay discusses the German philologist, archaeologist and historian J.J. Winckelmann's theoretical influence on the conception of the Classical museum model as defined and established by the Louvre within the nineteenth-century in Paris. From its initiation, the Louvre would furnish an example for the Metropolitan and for scores of galleries around the world to replicate. This would include the Egyptian Museum in Cairo, the National Archaeological Museum of Athens and the Ancient Iran Museum in Tehran. Winckelmann's historicism would encourage the implementation of new ideas and practices related to the meaning and connoisseurship of art and aesthetics in Western Europe within nineteenth-century gallery systems as they began to develop new practices for displaying art in which the singling out of specific cultures within an historic hierarchical context would become prominent. The essay discusses how Winckelmann's ideas would inspire a curatorial system and condition of representation of art for the Louvre as the Classical museum paradigm established in the nineteenth-century.

Cyrus Manasseh is a novelist, essayist, philosopher, historian and was a musician before he also took up writing. He teaches in universities and privately as a higher education consultant. He is an international scholar and has presented his ideas in a number of countries. Prof. Cyrus Manasseh PhD is also a Freelance Researcher and author of books 'The Lead Guitarist'; 'The Island Library'; and 'The Problematic of Video Art in the Museum 1968-90'. He is also author of numerous essays and scientific articles in the field of art history, film, architecture, video, museums, evolving media and theatre-drama. His published essays and articles include: The Art Museum in the 19th Century J. J. Winckelmann's Influence on the Establishing of the Classical Paradigm of the Art Museum; Art without the Aesthetics? Defining Conceptual & Post-Conceptual Practices'; 'From Passive White Cube Viewer to Active Black Cube User: Tracking Changes in Museum Environments via Installation Art (Analogue to Digital 1968-2008)'; 'Art, Language & Machines: Marcel Duchamp, Francis Picabia & Raymond Roussel' and many others. He has presented his research at international academic forums which include those in London, Sydney, Perth, Venice, Prague and Harvard where he was session chair and has lectured and has taught extensively in Australian Universities. He was a finalist for the International Award for Excellence in the Constructed Environment Journal Writers Award Annual Prize for the academic essay 'An Inquiry into the Design and the Aesthetics of the Venice Biennale Pavilions and Film'. His novel 'The Lead Guitarist' is currently published on Amazon.

Produktinformationen

Titel: The Art Museum in the 19th Century. J. J. Winckelmann's Influence on the Establishing of the Classical Paradigm of the Art Museum
Autor:
EAN: 9783668711815
Digitaler Kopierschutz: frei
Format: E-Book (pdf)
Hersteller: GRIN Verlag
Genre: Geschichte
Anzahl Seiten: 14
Veröffentlichung: 28.05.2018
Dateigrösse: 0.5 MB